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在临海老宾馆的惨剧发生之后，一支调查超自然现象的科研小组来到了这里。一名灵媒声称这个屋子非常危险，随后不久她就消失了，而一名队员也惨遭杀害，与此同时，一个全身包裹着绷带的神秘人出现了，他声称自己是这里的主人。谁也不知道这个神秘人是被一群魔偶从墓地中召唤回来的神秘亡灵，这是半个世纪前，源自开罗的一个承诺…… 　　更多精彩尽在夜半子不语论坛

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风暴之山

纪录片 · 2018 · 美国

导演：Robert Collinson

主演：伊冯·乔伊纳德道格拉斯·汤普金斯 Dick Dorworth Lito Tejada-Flores Chris Jones

In 1968, five friends set out on a 5,000-mile road trip in a white Ford van bound for South America. They packed surfboards, skis, and climbing gear and documented the whole trip on a 16mm Bolex camera. From Ventura, California to a first ascent on Cerro Fitz Roy, with a stop for sand skiing and 31 days in an ice cave in between, Mountain of Storms not only prefigured the moder...

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笼中女

剧情片 · 1971 · 美国,菲律宾

导演：Gerardo de Leon

主演：Pam Grier Jennifer Gan Roberta Collins Judith M. Brown

Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers...

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毒魔复仇2

喜剧片 · 1989 · 美国

导演：洛伊德·考夫曼,迈克尔·赫兹

主演：朗·法齐奥 John Altamura Phoebe Legere Rick Collins 安冈力也关根勤桂木麻也子丽莎·盖伊杰西卡·杜布林 Jack Cooper Erika Schickel 保罗·鲍格才

The Toxic Avenger is tricked into traveling to Tokyo to search for his estranged father, leaving Tromaville open to complete domination by an evil corporation.

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镜子的另一面：纽波特民歌艺术节1963~1965

剧情片 · 0 · 美国

导演：Murray,Lerner

主演：Bob Dylan Joan Baez Judy Collins

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

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